Tag Archives: indian jewellery

Lady King was the wife of Sir Carlton King, a chief justice of the Indian Civil Service. They had three daughters and resided in Lucknow, Allahabad and Delhi, with summers spent in Nainital. Also known as ‘Fanny’, Lady King’s mother was related to two well-known Indian artists’ families: the Daniells and Princeps. After Sir Carlton King ended his career at the Delhi High Court, the Kings returned to England in the 1930s. A photograph of Lady King Lady King’s Earrings These earrings show a typical torpedo-shaped drop Indian design of the 1830s and 1840s, featuring diamonds, rubies, and emeralds. We can assume from this style that they date from mid-nineteenth century India. One of the oldest techniques, introduced to India by the Mughals and perfected by skilled Indian craftsmen, is the jadayi style. This is a technique of embedding gems into gold as a framework without using adhesive, typically with a foil backing. This is a laborious process taking many days of skilled, careful work. The floral design is typical of Indian work since the Mughal period.  While these earrings are in this classical Indian style, they also show the European influence of the time by setting the diamonds in silver, with the coloured gems only set in gold. 19th c. diamond, pearl, ruby & emerald earrings, previously belonging to Lady King. Indian Jewellery This combination of an extravagant over-sized European design, mixture of metals, technique, and variety of gemstone cuttings can only be found at this one brief moment of a wonderful culmination of Anglo-Indian design. The 18th century British Raj adapted their style to their surroundings. As it was acceptable to appear on equal terms with the Nawabs. Gifts were swapped between potentates and so a new wave of cultural exchange began. Precious stones were acquired, with one of the gains easily brought back to England as transportable currency. Over time, more Ladies came to India in search of husbands. The desire was to follow European fashion but sending orders to London and back was not a timely enterprise. This led to the demand for locally made jewellery increasing. Few European jewellers settled in India, with many of their workers themselves natives. In Bombay, in 1864 it was noted that there were 10,670 native goldsmiths, compared to twenty Europeans. Indian jewellers had a singular ability to adapt their manufacture to suit foreign influences. They were able to replicate the styles that had been presented to them. The Popularity of Indian Jewellery As Indian jewels made their way to England, the Empress of India had a significant appreciation for the styles and forms associated, along with the fashionable aesthetes who also collected the jewels. Notables such as John Ruskin favoured the cabochon cut, harking to the manual labour of the artisans and with Queen Victoria wearing ‘uncut’ gems, the fashion spread throughout the nation. Pieces bought from International Exhibitions by the South Kensington Museum (now known as the Victoria & Albert Museum) secured access to designs to a wider audience. Soon, more recognised jewellers such as Giuliano adapted motifs, colours and forms, integrating Indian jewellery into the English mainstream. In the early 20th century another resurgence of Indian taste hit European shores. In 1911 George V’s Coronation durbar in Delhi brought Cartier into contact with influential and fashionable Maharajahs. They brought swathes of Indian colour and gemstones to be re-set to European taste. These bright colours and bold, repeating designs complemented the emerging Art Deco style and re-invigorated interest in Indian taste. Indian Jewellery at Auction Lot 298 19th c. diamond, pearl, ruby & emerald earrings, previously belonging to Lady King. Price Realised: £7,280.00 Fine Jewellery | Thursday 21st March 2024 Viewing times (ID required): London Monday 11th March 10:00-19:00 Tuesday 12th March 09:30-11:30 Birmingham Tuesday 19th March 10:00-16:00 Wednesday 20th March 10:00-16:00 Thursday 21st March 8:30-09:00 Virtual viewings are available by request. Virtual viewings are the ultimate personal shopping experience. Using Zoom, you can ask us whatever you need to know in order to buy with confidence. Find out more here. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Ben Randall | BA (Hons), GG, AJP
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Mumtāz Maḥal: Early Life Mumtāz Maḥal was born Arjūmand Bānū Begum to a Persian noble family. Her aunt was the Empress Nūr Jahān, chief consort to Emperor Jahangir and de facto ruler of his empire. Perhaps from her aunt’s influence, Arjūmand Bānū also went on to become a powerful empress. She was known to be intelligent and charming. Arjūmand Bānū wrote poems and was a patron of the arts. She also supported the daughters of scholars and theologians that were in need. She was thus a desirable match for the young Prince Khurram. The pair were betrothed when he was 15 and she was 14. They married five years later, on a date picked for its auspiciousness. Though Prince Khurram had two other wives, his higher regard for Arjūmand Bānū is well known. Their marriage is considered a rare love match in the Mughal Empire. Upon their marriage, he conferred upon her the name Mumtāz Mahal, meaning ‘the exalted one/beloved ornament/jewel of the palace’. Mumtāz Maḥal: Marriage In the early years of their marriage, Mumtāz Maḥal accompanied her husband on all his military campaigns. She became his trusted confidante, even reputedly being able to advise her husband to end disputes and pardon convicts. When he became Emperor Shah Jahān, he chose Mumtāz as his chief empress. She held the title Padshah Begum, ‘First Lady’ or ‘Queen of the Great’. He also bestowed upon her the right to the imperial seal Mehr Uzaz. Also, imperial decrees had to receive her consent. Unlike her aunt, Nūr Jahān, Mumtāz Maḥal was portrayed at the time by court chroniclers as powerful but not power-seeking. The royal couple lived in splendour at Mumtāz Maḥal’s residence, Khas Mahal, the most decorated of the empresses’ residences. Together, Mumtāz Maḥal and Shah Jahān had 14 children, and seven lived to adulthood. The emperor also had one child with each of his two other empresses. Taj Mahal When Mumtāz Maḥal died during the birth of their fourteenth child, Shah Jahān was sent into a deep grief. Court chroniclers detailed that he did not wear bright clothing, jewellery or perfumes for more than two years. He slowly emerged into the public again from his mourning period – now supposedly with white hair and a bent back – with the help of their eldest daughter, Jahanara Begum. She assumed her mother’s place at court and became a great consort in her own right. In the same year as Mumtāz Maḥal’s death, Shah Jahān commissioned the building of the grand Taj Mahal. It was to be the tomb for his beloved wife. It took 22 years of construction and most of the emperor’s wealth to build the monument. The finished Taj Mahal, with its rooms of marble, fine woods, and precious stone inlay, was a more-than-worthy memorial for such a revered partner. Marcus & Co’s Portrait Miniature Brooch of Mumtāz Maḥal It is, therefore, only right that this miniature portrait of Mumtāz Maḥal was set in a fine jewel. In a scrolled gold surround, detailed with white enamel and split pearls, by jewellers Marcus & Co., the portrait depicts her in fine clothes and jewels, including a necklace, earrings and head ornament of many pearls. There are no known likenesses of Mumtāz Maḥal made during her reign. So, this later depiction has been inspired by many Mughal, and later, traditions for portraits. Artists adopted a more naturalistic style than in Persian art and normally always depicted sitters with their head in profile and their body half-turned to face the viewer – though Mumtāz Maḥal is in semi-profile here. A very similar painting has been identified as depicting Empress Zinat Mahal. At the turn of the twentieth century, the New York jewellery workshop Marcus & Co., was renowned for its finely enamelled jewels in the on-trend Art Nouveau style. Herman Marcus founded the workshop with his son William in 1892. He had trained with the Dresden court jeweller Ellemeyer to learn the enamelling techniques that so impressed the New York society. Other famous workshops noticed his talent. His work was in demand from Tiffany & Co. and Ball, Black & Co. This prompted Herman to build his name and client base, ready to open his own workshop with William. Mumtāz Maḥal at auction This brooch encapsulates the splendour of Mumtāz Maḥal’s life and the craftsmanship of both the portrait and its setting would, surely, have pleased the empress! This brooch sold for a total price realised of £2,730 in our Fine Jewellery auction on Thursday 9th February 2023. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available
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