Category Archives: Antiques

*Cue the 2001: A Space Odyssey theme tune* Forgive me for stating the obvious, but, humans love space. A fascination with all things celestial has followed civilisation since its early days. People have constantly looked to the stars as a source of inspiration, painting pictures in the night sky. What was once an unrealistic dream – walking among the stars and on the surface of the moon, was actualised in the mid-twentieth century. The Space Race The late 50s saw The Space Race, a competition between the US and the Soviet Union to make strides in space travel. Originating from the tensions of the Cold War, The Space Race was the struggle for superiority in space travel capabilities. While the development of rockets that were used for space travel began at the end of WWII, from the technology of intercontinental ballistic missiles, the first satellites weren’t launched till 1957/1958. It was the USSR who first crossed this milestone with Sputnik 1. This prompted the US to begin working on ‘Project Mercury’ – a human spaceflight program. Secretly, the USSR pursued a similar goal and the ‘Vostok programme’ was born. Just three years after their first satellites, in 1961, Soviet cosmonaut Yuri Gagarin was launched into space aboard a Vostok 3KA rocket. He completed one orbit around the Earth before returning. The American Response Just a month after the USSR, the US successfully sent a man into space – Alan Shepard. Although Shepard did not complete an orbit like Gagarin, he was the first person to manually control a spacecraft. It wasn’t until a full year had passed from Gagarin’s orbit that the US achieved the same. In 1962, John Glenn became the first American to complete an orbit of Earth. This back and forth between the two countries continued for the entirety of the 60s, with the USSR always just ahead. In 1965 this seemed to remain the case as cosmonaut Alexei Leonov became the first person to complete a spacewalk. However, it was at this point that the US began to gain traction, which culminated in the lunar landing. In 1968, the US sent three astronauts in Apollo 8 to complete 10 orbits of the moon. A year later, on 21st July 1969, Apollo 11 successfully achieved a moon landing. Neil Armstrong completed the first moonwalk, followed by Buzz Aldrin.  The Moon Landing in Pop-Culture: Astronaut Memorabilia The lunar landing is one of, if not the most culturally significant event of the second half of the 20th century. It utterly changed how humanity interacted with and thought about space and our place in the universe. As such, it prompted a huge wave of interest. In the 70s, there was a boom in design inspired by space and the future. Futuristic and sci-fi designs became the thing. In our upcoming antiques auction, we have an iconic piece of design, born in this cultural milieu. The Videosphere. Lot 166 A vintage JVC Nivico model 3240 UK portable videosphere television set. Price Realised:  £39.00 This is not the first object that we’ve had in our auctions that was inspired by this historic event. In our jewellery auctions, we have seen several ‘man on the moon’ pendants – such as the one below. Lot 381 A 1960s 9ct gold ‘First Man on the Moon’ pendant, commemorating the Apollo 11 mission. Price Realised: ÂŁ1,105 If this is an area of interest for you, it is always worth checking out all our auctions as you never know what you’ll find. The Videosphere is going for auction on the 19th of September. You can find all the details below on how to keep up to date with our auctions. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Cordelia Porter | Research Coordinator
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I think it’s safe to assume we all know what a gramophone is! Their distinctive shape has turned them into an enduring symbol of music. Along with the wind-up film camera and the dial-up telephone, the gramophone is not really in use anymore. However, like its ‘outdated’ friends, these objects have been ingrained in shared cultural history and have therefore retained their emblematic quality. The Early Gramophone During the late 19th century, inventors were looking for a way to record and play music. Before the gramophone, Thomas Edison invented the phonograph. Alexander Graham Bell made improvements to the quality of the sound, which wasn’t particularly appealing, creating his graphophone. These early renditions played sound from wax-coated cylinders. It wasn’t until 1890 that these machines use flat discs to play sound. Invented by Emile Berliner, an American-German inventor, these discs are still recognisable today. The distinction between gramophone and phonograph is not very clear; the two terms were used and have been used interchangeably. The biggest difference is that the term gramophone was trademarked until 1910. Now, terminology has spread to include names such as “turntable” and “record player”. Lot 398 An oak cased, table top wind up gramophone. Price Realised: ÂŁ408.32 Lot 397 A Pathe gramophone. Price Realised: ÂŁ191.40 His Master’s Voice | The Gramophone Company In 1898, Emile Berliner founded The Gramophone Company. It was one of the earliest recording companies and the organisation from which His Master’s Voice emerged in 1901 – now better known as HMV. They borrowed this name from a painting by Francis Barraud. It is an image which has now been popularly reproduced throughout the world. The painting shows a Jack Russell sitting alongside an original cylinder phonograph. In 1899, The Gramophone Company bought the original painting for ÂŁ100, around ÂŁ8,500 today. Gramophones At Auction At Fellows, we have sold many gramophones in the past, such as the ones pictured above. However, none quite like this charming lot in our upcoming jewellery auction. Lot 1 An early 20th-century 9ct gold gramophone charm. Price Realised: ÂŁ78 Going for sale on the 25th of July at 10am, lot 1 is a darling novelty charm in the shape of a gramophone, complete with its flat disc record. Perfect for any music fan or lover of all things vintage. If you’d like to bid on this lot you can visit the link below for further information and to view the rest of the catalogue. Jewellery | Day One Tuesday 25th July 2023 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Cordelia Porter | Research Coordinator
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The Distinguished Conduct Medal (D.C.M) is the oldest British award for gallantry and the second-highest award for gallantry in action. Prior to Queen Victoria’s establishment of the D.C.M in 1854 during the Crimean War, there was no official medal for individual acts of bravery in the Army. In 1894, Queen Victoria authorised Colonial governments to adopt the D.C.M for award to local forces. Military personnel throughout the Empire also received the D.C.M. Consequently, this medal, and versions of it, were distributed worldwide. The Crown presented over 25,000 Distinguished Conduct Medals during the Great War, and approximately 1,900 during WWII. The Military Medal was introduced in 1916 as an alternative, lower award. This newer medal preserves the D.C.M as awardable for only exceptional acts of bravery. Daniel Thomas Williams’ Distinguished Conduct Medal Daniel Thomas Williams was born in 1892, in Llantrisant, Wales, to carpenter Thomas Williams and midwife Jane nĂ©e Evans. After serving as a driver in the Army Services Corps, he was put forward for the D.C.M. Dr Willy Davies, who was the local GP, presented him with the medal in 1919 for; ‘Conspicuous gallantry and devotion to duty. He carried out his transport duties very satisfactorily, and during heavy shelling he frequently volunteered to take rations forward. He displayed a fine example of courage and greatly inspired his comrades’. Distinguished Conduct Medal at auction Williams’ pension ledger, dated the same year as his D.C.M award, evidences his retirement from military action. The ledger notes his disability, ‘debility’, as 50% attributable to service. ‘Debility’, is an ambiguous term which can allude to a range of ailments. Sometimes, it can refer to what is now recognised as Post-Traumatic Stress Disorder (PTSD). Lot 370 – Daniel Thomas Williams’ Distinguished Conduct Medal & Great War Trio medal group.Price Realised: £637.00 This lot attests to Williams’ commitment and courage in his role as a driver, and a military career cut tragically short. We cannot see from public records if he was injured during one of his several acts of courage. We also don’t know if his devotion to duty exacerbated a pre-existing condition. Regardless, Williams’ D.C.M is evidence of the exceptional sacrifices that he, and millions of other young men, made during the Great War. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details.
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Hester Bateman is celebrated not just for her status as one of few female silversmiths working in Georgian England, but for the dynamic family business she carved after her husband’s death. Bateman and her family name prove continuously popular across silver sales worldwide. Hester Needham became Hester Bateman in 1732, when she married gold chain and wire maker John Bateman in St Botolph’s, London. Together, they raised six children; John Joseph, Letitia, Ann, Peter, William and Jonathan. John’s death in 1760 from tuberculosis would have likely threatened the family with destitution. However, his bequeathal of workshop tools to Hester set her on her path of directorship that was not an option for most women of the period.  In Spring 1761, she attended the Goldsmiths’ Hall to sign the relevant registers to take official ownership of her late husband’s trade. There, Hester registered her own marks- various versions of a cursive ‘HB’ now highly coveted by collectors. This was an act of considerable tenacity for an illiterate, working class widow.  The Bateman family and legacy Hester’s sons Peter and Jonathan likely sat at the silversmith’s bench, while Hester managed business. Her attendance to her growing client base’s fashionable taste is evident in her production of larger items such as tea sets, salvers and inkwells in a neoclassical style Upon Hester’s retirement in 1790, Peter and Jonathan Bateman continued her legacy and registered their own mark. Jonathan’s death from suspected Leukaemia after only four months cut short a natural evolution of a now well-established family business. Their ‘P B I B’ mark is especially collectable for its rarity.  The company then passed through successive family members, each with their own distinctive mark, from Peter and Jonathan’s widow Ann-Olympe, until 1815, when Peter passed the company to his nephew, Jonathan and Ann-Olyme’s son, William Bateman. The company shut down in 1843, under the ownership of William’s son and namesake and business partner Daniel Ball. As well as frequenting silver and antiques sales, the Bateman family hallmarks can be found across highly respected silver collections, held by the V&A and New York’s Metropolitan Museum of Art. Hester Bateman at auction Lot 41– A cased set of four George III silver pedestal salt cellars by Hester Bateman, hallmarked London 1788. Price Realised: £312.00 Lot 24– A George III silver coffee pot by Hester Bateman, hallmarked London 1782. Virtual viewings are available by request. Virtual viewings are the ultimate personal shopping experience. Using Zoom, you can ask us whatever you need to know in order to buy with confidence. Find out more here. Please contact info@fellows.co.uk to book a virtual viewing Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available
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Born in Sheffield, Omar Ramsden (1873 – 1939) was one of the leading silverware designers in the history of the UK. He studied at the Sheffield School of Art but spent the majority of his life living and working in London. In the 1910s Ramsden opened his silver studio with renowned designer Alwyn Carr. The two then started creating highly-coveted pieces. Silver in Arts & Crafts styles including Medieval, Tudor, and more elements feature in Ramsden’s work. The designer operated from his London workshop, managing 20 staff until his death in 1939. Despite many aspects of his private life being relatively unknown, he was a prominent individual in the Arts and Crafts Movement and his exceptional work remains popular to this day. Omar Ramsden at Auction Lot 42 – 20/07/23 An Arts & Crafts style hammered silver twin-handled cup by Omar Ramsden. Price Realised: ÂŁ403.00 Lot 109 – 27/09/21 An Arts & Crafts style silver bowl by Omar Ramsden. Price Realised: ÂŁ1,097 Lot 94 – 23/10/17 An Arts & Crafts silver dish by Omar Ramsden. Price Realised: ÂŁ1,914 Lot 101 – 07/08/17 A pair of Arts & Crafts silver pin dishes by Omar Ramsden. Price Realised: ÂŁ612 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Make sure you don’t miss finding that special something by signing up for our emails. You’ll be the first to know when catalogues become available, receive invitations to special events, and preview the hottest lots from our auctions, plus much more. You can also set up lot alerts, and tell us exactly what you are looking for. Our personal shopping service will make sure that you are the first to hear about it.
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Fellows’ Antiques & Collectables auction is notable for its strong selection of artworks, with several pieces of local and national interest. Springhill born artist Oliver Clare (1853-1927) is amongst one of these artists, and some of his pieces sold our previous auctions. His work displays the painstaking attention to detail that earned the painter an impressive exhibition history and representation across a variety of international public collections. While Clare’s work now resides in the archives of institutions as far flung as Alabama, USA, it was Birmingham where his career was forged. After producing fruit still lives for local grocers Pitman Health Food Co, Clare was invited to exhibit eighteen paintings at the Royal Society of Birmingham Artists, now located just around the corner from Fellows’ Jewellery Quarter head office. Clare’s popularity was not limited to his lifetime. After antiques and art dealer Eric Jones began to collect and deal in Oliver Clare paintings in the 1960s, the artist’s work experienced renewed contemporary interest. Indeed, to date Fellows has sold forty one of his pieces at auction, and eagerly anticipate the interest these five lots are sure to generate. Oliver Clare at auction Lot 37114/06/2023 Oliver Clare (1852-1927), an oil painting on board. Price Realised:  ÂŁ663.00 Lot 279 – 15/03/2022 Oliver Clare (1852-1927), an oil painting on canvas still life study. Price Realised:  ÂŁ446.60 Lot 280 – 15/03/2022 Oliver Clare (1852-1927), an oil painting on canvas still life study. Price Realised:  ÂŁ548.68 Lot 281 – 15/03/2022 Oliver Clare (1858-1927), an oil painting on canvas still life study. Price Realised:  ÂŁ548.68 Lot 283 – 15/03/2022 Oliver Clare (1853-1927), oil painting still life. Price Realised:  ÂŁ548.68 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details.
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Arts and Crafts The Arts and Crafts Movement began around 1880, it emerged as an attempt to reform British design. Founded on the ideas of philosophers and authors such as John Ruskin, Augustus Pugin, and William Morris, the movement wanted to emphasise the importance of human involvement in decoration over mechanized production. Jewellery was one such industry that was heavily influenced by the movement. You can read about our Arts and Crafts lots from one of our previous Jewellery auctions here. The movement was huge, and was most developed in Britain, however it spread as far as North America and Japan. All areas of decoration were influenced and Arts and Crafts laid the foundations for what we now consider to be the Art Nouveau movement. We have several items from our previous Antiques, Fine Art & Collectables auctions inspired by the Arts and Crafts Movement. Two of these are attractive examples of ornamental copperware. Copper was a material favoured by the followers of the movement and although copper items have been found that date back as far as 9000 BC, in the late 19th century it flourished as an artistic medium. Lot 155 was an example of the movement’s aim to make everything beautiful – including things of practical purpose, while Lot 191 was an illustration of some of the decorative items produced. Newlyn Copper at Auction Lot 155 presents two items of practical use that remain a testament to skilled craftsmanship. The two small dishes are Newlyn Copper, a class of Arts and Crafts that finds its roots in Cornwall. Newlyn Copper came about in the 19th century due to a decline in the fishing industry. Fishermen were facing unreliable work and unemployment and so were trained in copper-smithing as an alternative means of employment. Designs typically relate to the sea such as images of ships, or like our lot – fish. Lot 191 also relates to Newlyn Copper. This large and impressive copper panel depicts a ship in choppy seas. In the background you can see the sun beginning to rise. It is in the style of John Pearson, one of the founders of the Newlyn Industrial Class, and a master craftsman at the Newlyn School. Pearson is most known for the time he spent with ceramist William de Morgan and his tiles and pottery work. However, he is also recognised for his four large copper plaques that decorate the Newlyn Art Gallery. A permanent exhibition, displaying a large portion of the original Newlyn School’s work is on view at the Penlee House Gallery and Museum in Penzance and The Copper Works Newlyn was re-established in 2004. Newlyn is now a popular name among collectors of the Arts and Crafts movement. The items produced represent an interesting time in Cornish history. Auction Details Antiques, Fine Art & Collectables – Wednesday 14th June 2023  Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Cordelia Porter | Research Coordinator
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The very distinctive and very popular Martin Brothers pottery was produced from around 1873, initially working from premises in Fulham in London. Robert Wallace Martin, the oldest brother, who had previously worked for J. B. Phillips, architectural sculptors, of Vauxhall Bridge Road, and had also studied art at the Lambeth school of art, began to produce pottery vessels and wares. In 1877, with a now growing company, there was a change of premises with the company relocating to Southall in London. Producing ‘salt glaze ‘stoneware pottery, the ‘salt glaze ‘ a process that includes salt thrown into the kiln during firing created both matt  and gloss finished glazes, these glazes would be unique and dependent upon various conditions at the time of the firing.  He is now joined by his other brothers. Walter Fraser Martin is a specialist in coloured glazes an also an expert at the potter’s wheel. Edwin Bruce Martin, a thrower, who had a passion for decorating wares with floral or fish designs. They had also studied at the Lambeth school of art, and had also worked at the Royal Doulton factory in Lambeth. Charles Douglas Martin was placed in charge of their retail shop. This was located in Brownlow Street, High Holborn, this was opened in 1878. The Martin Brothers style The shop, with Charles as manager, remained open for business up until its closure from a fire in 1903. The most highly prized examples of their pottery were produced at around the turn of the 19th and 20th century. This is considered to be when their works reflected a more flamboyant style, with the highly detailed animal and bird figures.  After this period, the designs became more reserved. They were perhaps influenced by the time period and that of the art nouveau style. The factory is believed to have closed in 1914. However, some pieces are known to have been produced up until the death of Robert Wallace Martin in 1923.  Martin Brothers at Auction Today, Martin Brothers pottery is highly sought after by collectors around the world, with their unique and eccentric designs. In fact, One of our previous Antiques, Fine Art & Collectables auction featured 13 lots from the Martin Brothers, with the majority being vases and jugs. These pieces are predicted to attract the attention of collectors and enthusiasts alike. Collectors generally appreciate the skill and artistry involved in creating these highly individual pieces. Here are a few Highlights of the Martin Brothers pieces sold at Auction
 Lot 68 A Martin Brothers pottery ‘face mask’ jug. Price Realised:  ÂŁ2,405.00 Lot 66 A Martin Brothers pottery vase. Price Realised:  ÂŁ2,210.00 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Krishna Vara | Social Media Executive
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Founded by Maurice Shackleton, they began production as James Shackleton and Sons Ltd in 1939 working from premises in Sandbach, Cheshire. Despite its short existence, James Shackleton and Sons Ltd managed to make a significant impact on the toy industry. Their die-cast models were highly sought after by collectors and are still considered valuable today.  Initially producing toys of brightly painted wooden construction, these included lorries and dolls houses. The lorries, which included a breakdown lorry, a chain lorry and other examples were simply made. Each with a wooden cab, chassis and turned wooden wheels. They were adorned with a detailed metal grill.  The “Foden FG” model It is thought that in around 1948 the company began to produce die cast constructional scale models of the then popular “Foden FG” platform type lorry. The model which could be completely stripped down and rebuilt was composed of many parts and components, surprisingly these were produced entirely in-house by a staff of around 40 employees.  Advertised within the Meccano magazine, the company headed with the catchphrase “You can dismantle it – just like the real thing”. The model trucks originally sold with a retail price of ÂŁ2/19/6. In 1949 the range included the addition of a Dyson drawbar trailer. In 1950 a “Foden FG “tipper truck was also added. This had a hand wound mechanical, working, tipping body. In 1952, and during the production of their latest model, a David Brown Trackmaster 30 tractor. The company began to suffer difficulties with a general shortage of available materials and harsh trading conditions, these ultimately resulted in bringing to an end this once great company.  Shackleton at auction We have previously sold two Shackleton “Foden FG” models in the Antiques, Fine Art and Collectables auction. This is how they got on… Lot 269 A Shackleton die cast mechanical scale model Foden F.G (tipper) lorry, together with a similar example. Price Realised:  ÂŁ195.00 Lot 270 A Shackleton die cast mechanical scale model Foden F.G. lorry A/F, together with a similar ‘Dyson’ platform trailer. Price Realised:  ÂŁ260.00 Auction Details Antiques, Fine Art & Collectables – Wednesday 14th June 2023 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Krishna Vara | Social Media Executive
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In one of our previous auctions, we sold an Edwardian copy of the widely revered Warwick Vase, cast in glowing silver.  We have had the pleasure of selling a few Warwick Vase reproductions in the past. We sold a modern example for ÂŁ5,000 and another Edwardian copy for an impressive ÂŁ11,000. The original Warwick Vase The original Warwick Vase is an ancient Roman marble vase. It was first owned by the emperor Hadrian (117-138 AD). Hadrian was known as one of the five good emperors, recognised for their careful governance and kind nature. Hadrian was of course also known for his impressive building projects. His most notable was Hadrian’s Wall – but also Hadrian’s Villa, which is where the Warwick Vase was discovered. It was one of many beautiful sculptures that decorated his gardens at the palatial villa. The vase features Dionysian imagery, evoking the idea of decadence, the pleasure of good food and wine. In the centre, we see Bacchanalian heads, one young and clean-shaven, the other bearded. Both are examples of classical depictions of the god Dionysus. Interwoven into the handles of the vase are delicately carved vines with fruit, and acanthus leaves. Since its discovery, it has contributed greatly to the Neo-Classical school of decorative arts in the UK. Over the centuries, many artists and creatives have taken inspiration from its careful evocation of indulgence. Excavation and Restoration In 1771 Gavin Hamilton discovered the vase. He found it fragmented in a marshy pond towards the lower parts of Hadrian’s extensive grounds. Hamilton brought it back to England where he commissioned James Byres to restore it. Hamilton then sold the vase to another Hamilton – Sir William Hamilton. Sir William attempted to sell it to the British Museum, but when they rejected it. He instead gave it to his nephew, George Greville, 2nd Earl of Warwick. Greville placed it in the grounds of Warwick Castle. Here he built a large gothic greenhouse to protect it from the English weather. This, of course, is where the vase gained its name. It was eventually sold in 1978 to the Met. However, the vase was declared an object of national importance and the export license was delayed. As it was still not of enough archaeological importance for the British Museum, it was instead moved to the Burrell Collection in Glasgow. Warwick Vase Silver Reproductions previously sold at auction An Edwardian silver copy of The Warwick Vase. Price Realised:  ÂŁ11,245.00 – 24/5/2023 Hallmarked Goldsmiths & Silversmiths Co Ltd., London 1901. Height approx. 8.5″ (21.6cm), weight 59.69 ozt (1856.7 grams). A modern silver twin-handled cup modelled on the Warwick Vase. Price Realised: ÂŁ5,742.00 – 05/10/2020. Hallmarked E & J, London 2004. Height 11.25″ (28.5cm), approximate weight 232.61 ozt (7235 grams). An Edwardian silver Warwick vase by Edward Barnard & Sons. Price Realised: ÂŁ11,356.40 – 14/03/2016. Hallmarked Edward Barnard & Sons Ltd, London 1907, numbered 183. Height measuring 10 3/4 inches (27.5 cm), weight 115 ozt (3588 grams). Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available Cordelia Porter | Research Coordinator
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Geoffrey John Websdale was decorated for heroism in both world wars of the twentieth century. We sold his medal group, including a Military Cross in the Monies, Medals & Militaria auction on May 24th. Geoffrey John Websdale Geoffrey John Websdale was born in London, in 1893. After studying Engineering at Imperial College London, he joined the 12th Division Signal Royal Engineers at the outbreak of the Great War. The Royal Engineer Signal Service was responsible for all forms of communication, from telegraph to despatch. In 1914, there were fewer than 6,000 in the Royal Engineer Signals Service. By the end of the war there were 70,000 signallers. This growth was a testament to significant advances in communication technology during the Great War. It is interesting to consider the changes and improvements that Websdale would have witnessed and presided over during his time in the Signals. During WWI, Websdale rose rapidly through military ranks – he was a temporary Second Lieutenant in November 1914; between 1916 and 1917, he was promoted to temporary Captain; and in 1918, he was named in the New Year Honours list. This is when he received his Military Cross. The Military Cross is a decoration awarded to officers in recognition of acts of exemplary gallantry during active operations. During WWII, Websdale joined the Air Force under Technical Branch (Electrical Engineers). Here he progressed from Pilot Officer to Flight Lieutenant, and then on to Squadron Leader. Medal Group at auction As well as the Military Cross, the group also contains a Great War 1914-15 Star named to ‘2. Lieut: G. J. Websdale. R.E’; as well as a British War Medal 1914-20 and Victory Medal with M.I.D oak leaf emblem named to ‘Major G.J Websdale’; plus WWII Defence Medal and War Medal 1939-45. Lot 551 – 24/05/23 Military Cross Medal Group, awarded to Major G. J. Websdale. Price Realised:  ÂŁ1,105.00 Lot 551 is of particular interest to medal collectors. It evidences Websdale’s numerous achievements, over the course of his long and decorated military career.  The medal group demonstrates his rise from Lieutenant to Major over the course of The Great War, as well as the singular gallant act that rendered him eligible for the decoration of the Military Cross. The two oak leaves, across both Great War and WWII medals, were awarded for being Mentioned in Despatches (MID) for notable acts of bravery. They further highlight Websdale’s heroism throughout his contributions to both the Great War and WWII. Between the wars, Websdale is recorded as travelling to Chile and Peru. He also lived for a time in Barcelona, Spain where he worked as an Electrical Engineer. After the Second World War, he settled in Devon. Here he continued his career in engineering until his retirement. Geoffrey John Websdale died aged 78, in 1971. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can therefore find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available
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In the Monies, Medals and Militaria auction in May, we sold an extremely special lot. Lot 594 is a pair of Caterpillar Club brooches, which were awarded to the same person. These two Caterpillar Club badges are engraved with the name C. E. Stead, who we believe to be Charles Edward Stead. In 1919, Charles Edward Stead was born in Nottingham. Before joining the RAF, he worked as a lorry driver. He married his wife Cora at age 21, and together they had one child. As with many people in the military – his career was marked with challenges and feats of heroism. The story of how he became a member of the club that no one wants to join is one of particular interest. Becoming a Member of The Caterpillar Club Stead was a member of the crew onboard the Lancaster JB121, on a mission to bomb Dusseldorf. The flight took off at 17:03 on the 3rd/4th of November 1943. At 19:00 they crossed the enemy coast, and by 19:13 the aircraft was attacked. While we have no first-hand account from Stead himself, the aircraft engineer, we do have one from Sgt Ronald Morley – the radio operator. In his report, Morley states that as he was adjusting his radio, he felt a ‘tremendous explosion’, the plane shook and shrapnel broke through the floor. Another man onboard – the navigator, Sgt Kenneth Garvey – would recount that ‘balls of fire’ broke through the hull, lighting his clothes on fire and burning his hands. It was at this point that the aircraft’s pilot – Sqn/Ldr William James Lewis, orders his crew to jump. They jump from the plane which is now heading quickly towards the ground, and deploy their parachutes. Sadly, only four of the men onboard survived the attack. Garvey and Morley were able to successfully escape. Although they were separated, their paths back to England were surprisingly similar. Both men were assisted by local people and managed to make their way home through the Pyrenees; Morley passed through the region on the 4th of December, and Garvey on the 21st. Both men returned to London in early January 1944. Their stories are marked by human companionship and empathy. If it was not for the local people in Spain and France who assisted them by burying their parachutes and uniforms, dressing them as civilians and giving them a bed, it is unlikely they would have survived. Charles Edward Stead – Prisoner of War Stead’s story is different, however. His is defined by the enduring nature of the human spirit. While he also successfully deployed his parachute – the act that earned him his place in the Caterpillar Club – he was captured by German forces. From then, he was taken as a prisoner of war, along with the co-pilot – John William Evans. While he was a POW, he was interned at Stalag IV-B. It was one of the largest POW camps also known as Stammlager – ‘Main Camp’. This was the same camp where the American writer Kurt Vonnegut was kept as a prisoner of war. It inspired his later novel ‘Slaughterhouse-Five’. Stead remained there until the 23rd of April 1945. This was when the camp was liberated by the Red Army. The Nottingham Post published a segment on June 1st of the same year, reporting that Stead had arrived home from the camp. The report also tells that he received an Air Crew Europe Star Medal. He lived to the age of 67. The crew of the Lancaster JB121 endured the unthinkable, and Stead’s story is particularly compelling. These Caterpillar Club pins are stunning examples of militaria, and the club’s motto; ‘life depends on a silken thread’, seems especially pertinent to the story of Charles Edward Stead and his fellow crew members. Charles Edward Stead’s Caterpillar Club Brooches at Auction Lot 594 – 24/05/23 Two WWII ‘Caterpillar Club’ badges, engraved ‘P/O. C E Stead’, one gold. (2) Price Realised:  ÂŁ2,795.00 Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details. Cordelia Porter | Research Coordinator
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Ancient Artefacts at Auction One of the most fantastic areas of archaeology is the discovery of ancient jewellery. While we have paintings and poems made by people thousands of years ago, there is something particularly magical about being able to own and wear a ring that was worn by someone who lived during the time of the Roman Empire. As Fellows is renowned for jewellery auctions we are lucky to work with artefacts that have this magical quality to them, and with history embedded in the gold. Ancient jewellery lots featured in our Fine Jewellery auction that took place on 13th April. Such lots were Lot 677 and Lot 509. The first is an intaglio ring dating from the 1st century AD. Although the mount is not as old as the stone, the carved carnelian is nearly 2,000 years old. The second is a beautiful braided Viking ring, dating from circa 950 AD, this ring is over 1000 years. A Roman Intaglio The Romans were particularly conscious of their appearance. This meant that they left behind a wide selection of gems, jewellery and adornments. Lot 677, is a beautiful example of a carved carnelian stone set in gold. The Romans were particularly fond of carnelian and it was used in all different types of jewellery. In the ancient Mediterranean, this red stone had been in use since Bronze Age Crete, around 1800 BC. It then continued in popularity into the Roman Empire. In our sale, we also have modern and 18th-19th century carnelian pieces. It is quite fantastic to consider that these stones have been popular for 4,000 years! Our ring shows two warriors standing alongside the goddess Nike, the goddess of victory, who we see as winged. For the Romans, carnelian intaglios such as these did not just serve purely decorative purposes. Carnelian does not stick to hot wax, therefore they were also used for seals. Typically, they were used for sealing letters or documents, in order to prove they had not been opened, but some sources suggest that they were also used for sealing bottles and jars. For some Roman elites, their seal acted like a signature with emperors and associates sometimes destroying their intaglio before their death so no one else could use their name in law. A Viking Ring This ring – Lot 509 would have been constructed from two small hammered gold rods that were twisted together and tied to form the ring. Viking goldsmiths mastered these techniques, with other examples combining up to six individual rods. Whereas other similar rings appear to have been hammered at their ends to form a solid band, this ring instead has another rod twisted around it to complete the ring. This appointment contributes to the sophisticated nature of the ring, the maker having used a delicate hand. In Viking culture jewellery was incredibly common, almost everyone – from the wealthiest to the poorest – had some ornaments in one form or another. The materials of that jewellery varied greatly, with base metals and plate being more common. The Viking Age has been called a silver age – silver dominated and gold was comparatively rarer. Vikings did little mining of their own, with much of their gold coming from looting and raiding before being melted down into new jewellery. As a result of this, gold was concentrated in the hands of the wealthy. Gold jewellery was something of prestige and was a public demonstration of wealth and power. This ring, then, is a superb example of a ring once owned by a significantly wealthy individual. Rings of this style Rings of this style may have originated with the Vikings in Scandinavia but they seem to have been exceedingly popular with Viking populations in Britain and Ireland. Twisted-rod rings may have had some use as a form of currency, they are mentioned in wills and charters as forms of payment.  We know from Beowulf and other literature of the time, that rings played a crucial role in the relationship between a king and his men. It was considered the king’s duty to distribute their gold. This would be amongst their warriors, supporters, and friends. As such, the gifting of fine gold rings became the traditional way for a lord to reward the loyalty of their subjects. For Vikings, rings were the visible symbol of a bond between people, connecting people through gift-giving. Gifting rings often also formed part of an oath-making sacrament, and the rings in these cases were considered sacred. The exchanging of gifts bound the givers together not unlike the way in which the rods of our ring are twisted together – reliant on each other for their continued existence. This ring, once belonging to a powerful individual, is a magnificent demonstration of Viking skills in goldwork and holds strong connections to traditions of gift-giving and oath-making. Ancient Jewellery Highlights at Auction Lot 677 – 13/4/23 A carnelian intaglio circa 1st century AD, possibly depicting two warriors before Nike, the goddess of victory, with later mount. Price Realised ÂŁ2,210.00 Lot 509 – 13/4/23 An ancient Viking braided gold ring, circa 950 AD. Price Realised ÂŁ2,210.00 Auction Details Fine Jewellery – Thursday 13th April 2023 Make sure you don’t miss finding that special something by signing up for our emails. You’ll be the first to know when catalogues become available and preview the hottest lots from our auctions. You can also set up lot alerts, to tell us exactly what you are looking for. Our personal shopping service will make sure that you are the first to hear about it. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Cordelia Porter | BA (Hons), MRes Nathan Boot | BA (Hons), MA (Hons)
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Russell Young is a British artist residing in the US. He is an internationally acclaimed pop artist best known for his compelling larger-than-life diamond dust silkscreen print images from history and popular culture. Russell Young – Early Life Russell Young was born in 1959 in Yorkshire. During his childhood, he became interested in photography and went on to study photography, film, and graphic art at the Chester Art College under Jack Straw. He credited Straw as having “showed him out of the darkness and brutality of Northern England”. Russell Young – Photography When he later moved to London, he worked as an assistant to photographer Christos Raftopoulos who encouraged Young to take on his own projects. Young started photographing the live club shows of Bauhaus, R.E.M. and the Smiths. This work led to commissions from magazines and record companies and a move to the USA. In 1986, Russell Young shot the sleeve for George Michael’s album ‘Faith’, which sold over 25 million copies. He went on to other high-profile portrait commissions for other musical artists, as well as directing one hundred music videos during the glory days of MTV. His portraiture includes stars such as Morrissey, Björk, Bruce Springsteen, Bob Dylan, and Diana Ross. Russell Young as a fine artist Despite his success in the music world, he became disenchanted the industry. In the early 2000s, his first solo exhibition, ‘Pig Portraits’, depicted raw celebrity mug shots. This series was about as different from his previous portraits as he could get. It steered clear from the airbrushed images which were so popular at the time and that he had sought to achieve in his music videos. It included screen prints of Jane Fonda, Steve McQueen, Martin Luther King, Jr., and more. These works “attacked the nature of photography, portraiture and prickly nature of celebrity itself.” Although they were the opposite of the work that he had created before, they turned out to be even more beautiful and iconic. The series brought him to the attention of the art world and launched his career as a fine artist.  “Most of my work deals with two aspects – fame and shame.” Russell Young – Work with diamonds He has followed Pig Portraits with other well-received series, including Rebel Rebel, Shoplifters of the World Unite, Dirty Pretty Things, Bankrobber, American Envy, Only Anarchists are Pretty, and others. In 2007, Young started using diamond dust in his creations. He presses crystals into the enamel of the prints. As such, no two diamond dust pieces are exactly alike, as the crystals are applied individually to each work. Young’s Dirty Pretty Things series focuses on one of history’s most influential celebrities: Marylin Monroe. In enamel black and cream silkscreen, Young captures the depth of her pain, while adding glamour through diamond dust. His diamond dust silkscreen paintings have acquired a huge and illustrious fan base – Abby Rosen, the Getty’s, Elizabeth Taylor, David Hockney, Brad Pitt, Angelina Jolie, David Bowie and President Barack Obama all have examples of Young’s work in their collections. Russell Young at Fellows To celebrate the Spring Fine Jewellery auction, Fellows has teamed up with Box Galleries to display Marilyn Desire during our jewellery viewing. The April Fine Jewellery auction features mid-century designers such as Kutchinsky, David Thomas, Tiffany & Co., and many more. We are delighted to be able to showcase such a beautiful piece of work in such a fabulous setting. What could be better than an icon of mid-century Hollywood glamour covered in diamonds, surrounded by jewels from her heyday? Signed Limited Edition Enamel Black and Cream Silkscreen with diamond dust. 95cm x 120cm. Edition 7/45. ÂŁ7,500 Available at Box Galleries info@boxgalleries.com Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Find what you’re looking for Make sure you don’t miss finding that special something by signing up to our email alerts. You’ll be the first to know when catalogues become available, receive invitations to special events and preview the hottest lots from our auctions, plus much more. Why not use our free personal shopping service? Sign up for lot alerts and tell us exactly what you are looking for. Each time we upload a catalogue, we search for your keywords and email you lots matching your interests. Your personalised email will include images, lot descriptions and auction details.
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Ella and Nelia Casella are known for their collaborative work which spanned a variety of different artistic disciplines; metalworking, watercolour, and enamelling. However, they are perhaps best known for their wax work – an example of which was Lot 398 from our last Antiques, Fine Art, and Collectables auction. The Casella sisters grew up surrounded by art. Their father Alexander was an avid collector of work from the 16th and 17th centuries. His collection undoubtedly influenced Ella’s and Nelia’s styles of work. Both women studied at the Slade School of Art . It was the first public art school to admit women under the same conditions as men. The Slade School became famous for its number of female students, some of whom are particularly popular, for example Kate Greenaway and Evelyn de Morgan. Its male alumni have many illustrious artists in their number, including Kyffin Williams. Works by the Casella sisters Most of the work by Ella and Nelia Casella is now housed in the archives of the Victoria and Albert Museum in London. Particularly impressive is the wax relief of St George and the Dragon. However, another in the V&A collection titled ‘Silvia Bella’ is strikingly similar to Lot 398 in our auction. Though their subject faces to the left as ours faces to the right, the two women have much in common as the careful detailing in the wax brings the characters to life. Both ‘Silvia Bella’ and Lot 398, entitled ‘Spring’, were created by Nelia Casella who had an independent career outside of her work with her sister. Ella and Nelia Casella Sold at auction During their lives, the sisters were considered to be a part of the Renaissance revival, and Lot 398 is a wonderful example of this. The subject is, of course, Spring – Primavera. When looking to the Renaissance there are several famous paintings of Spring that may have inspired Nelia, particularly Botticelli’s Primavera. The similarities are clear, the ornate decoration in the form of seed pearls and the gilt dress that adorn Nelia’s Spring echo the falling leaves of Botticelli’s. In the same way we see Botticelli’s Primavera carry a bouquet of flowers in her skirt, Nelia’s subject cradles cherry blossoms. The wax is delicately coloured to produce this vibrant image. The gilding only adds to the air of luxury about this piece. Lot 398 – 3/3/23 Nelia Louise Cornelia Casella, (British, 1859- 1950), A late Victorian Arts & Crafts wax portrait relief plaque. Price Realised: ÂŁ1,755.00 As the Arts and Crafts movement championed the involvement of women artists and creatives, works such as this have become important pieces of history as they represent the large social and cultural shifts that were taking place in the early twentieth century. This lot presents an interesting example of women artists and their work during the Arts and Crafts movement. When thinking about the late nineteenth and early twentieth century’s artistic circles, names such as William Morris and Edward Burne-Jones are often at the forefront of our minds. While it is undeniable that their working relationship left a significant mark on the face of British art history, particularly here in Birmingham, there is far more to the movement. This lot is demonstrative of the variety of work that was produced.   Auction Details Antiques, Silver & Collectables | Thursday 25th May 2023 Our next Antiques, Fine Art & Collectables auction is on Thursday 25th May 2023. Virtual viewings are available by request. Virtual viewings are the ultimate personal shopping experience. Using Zoom, you can ask us whatever you need to know in order to buy with confidence. Find out more here. Please contact info@fellows.co.uk to book a virtual viewing. Make sure you don’t miss finding that special something by signing up for our emails. You’ll be the first to know when catalogues become available, receive invitations to special events, and preview the hottest lots from our auctions, plus much more. You can also set up lot alerts, to tell us exactly what you are looking for. Our personal shopping service will make sure that you are the first to hear about it. Valuations Our valuations are free, with no obligation to sell with us. Our experts will value your item with an estimate, so you can find out what it could achieve at auction. The process is simple. You can fill in a form online or book an appointment to visit either of our offices in Birmingham or London. Virtual valuation appointments are also available. Cordelia Porter | BA (Hons), MRes
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